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claudio 2 –hot lead -mad monk–cdr – 10$

 Latest and best from this mysterious tribe finds them in full synthesizer horror mode. Taking cues from the soundtracks of John Carpenter, the mutant space techno of Allan Bryant, the time-lapse mesmerism of Robert Fripp, and the intrepid synthesizer experiments of Ruth White, Hot Lead deals in nightmarish arpeggios, shapeshifting noise and ominous melodic variations. Recorded direct to 8 track - no boring, sterile microhouse polish here - and comprised of mostly solo tracks by individual members. Complete with dreamy Sisters of Mercy fanboy cover art. Limited to 150 copies,
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claudio two – contemporary suicide music - mad monk–cdr – 10$

 Brand new dead end carpetbagger blues by these born losers. This third Claudio Two album (following the unreleased and indefinitely shelved Jazz Improve CDR) finds the crew flexing their muscles a bit - from wasted bedroom metal riffs carelessly layered over each other to create a zit cream vortex, to synth / occult pieces inspired by John Carpenter soundtracks and Ritalin snorting, to atmospheric black metal frightmares, and decrepid blooz rock, it's all here on this brief CD, which may or may not include the band's first actual cover song, by French geniuses Vietnam Veterans. Full color collage covers by local college radio personality (actually he just steals CDs from the station) Blake Conley. Only 150 copies of this one, hurry! 
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claudio two – sniper at the gates of dawn -mad monk–cdr – 10$

Some folks may claim that improvisation is all about LISTENING, but Claudio Two – a new project starring partners Chazz Improv and Norma Bates (aka James and Jessica Toth, formerly of WWVV), and featuring the first appearance in over ten years by former Golden Calves vocalist Max “Mev” Wicker – is all about the opposite. Recorded in various spurts over the fall of 2007, Sniper at the Gates of Dawn is the debut CDR by Claudio Two, on which the band layers individual single tracks recorded solo and combines them unheard (a la Durian Durian), and, elsewhere, uses this source material to try to recreate this accidental music while in a group setting. Mixed in glorious mono. 150 copies, no reissues. $10
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killed by toth vol 1 -mad monk – cdr – 10$

65+ minute continuous mix of psych, punk and real people jams
from James Jackson Toth






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78 grave & the rocket 88s – i love the life at the door -mad monk–cdr – 12$

Brand new on James Toth’s MAD MONK ANNEX CDR imprint. Title taken from a poem by Poetry Out Loud guru Klyd Watkins. From the artist: "On hold with the Tennessee Department of Human Services for over 36 minutes, the initially innocuous 'hold music' - which resembled two bars of "The Way We Were" repeated ad infinitum - began to mesmerize / hypnotize, as my impatience slowly melted to peace, lulled as I was by this 16 second loop of muzak, which would cut off and repeat at random intervals. After finally getting through and dealing with my business, I decided to call back and record the music, which I was now obsessed with (possessed by?). This time I was only on hold for 21 minutes. I took what I had, doubled it, and did some very basic edits / treatments." Imagine a punk rock Distintegration Loops or a drug withdrawal-plagued take on some of The Caretaker's recent ballroom music. An unusually provocative and mysterious tablet of high audio doggerel. Fans of narcosynthesis, rejoice!
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thrash, jr – all throttle, no bottle - mad monk–cdr – 12$

Thrash, Jr, named after Houston Mazda (RX-7) Cup driver Thomas Thrash Jr, is yet another guise of James Jackson Toth, and released on Toth's new MAD MONK ANNEX CDR imprint. This racing-themed album comprises three extended pieces of bleak and visceral solo guitar cacophony / catharsis. If Hassara was “boogie,” Thrash, Jr is “bombardment.” From the artist: "Like most American kids my age, my life was changed irrevocably by the music of bands like Courtesy Flush, Army Nightmares, Lil Johnny Eightball & the Secret Society Dildos, and The Canker Sores. This premeditated and unprovoked attack on my electric guitar is in tribute to those bands and their myriad imitators." “Lux Interior” is a duet for raging rainstorm and goat hoof-guitar, “Victory Is Hers” is a naughty little respite of delay blast and Toth’s patented “animal-tapping” fuckitude, and "Militant Walls (Is Poser Noise For Pussy Emo Fags)" finds Toth turning up the gain on his solid state amplifier and proceeding to audibly pull his Stratocaster apart - you can literally hear the entire tremolo system being slowly removed. Ouch! "Makes Rudolph Grey sound like Steve Vai" - William Blake Cobblestone, local television personality. "The best guitar noise album of the year" - The Other Dude in Claudio Two, Claudio Two. Improvised and recorded entirely live over two stormy Nashville nights, with nothing added post production. For fans of guitar disembowlment pioneers like Stefan Jaworzyn, Donald Miller, et al. Proper jewel cases, no more slim case bullshit.
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