quicksails

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  • quicksails – spillage – tranquility tapes

    $7.00 Add to cart

    A monster percussionist for the furious jazz trio Tiger Hatchery, Chicago’s Ben Billington has built an impressive catalog over the past few years as Quicksails by bringing his chops to the solo synthesizer game. Those familiar with the project’s kaleidoscopic swirl of synths and hand percussion will find plenty to love on Spillage. With remarkable ability to juggle so many different elements in each composition, what might sound like a mess in less capable hands flows gloriously with Billington at the helm. There are moments of surprise here as well, with certain tracks showing a much more restrained palate than usual and introducing piano as well as vocals by Emme Williams into the mix. Altogether this an extended half hour of beautiful chaos you’ll want to pour over you again and again. Pro-dubbed and imprinted chrome cassettes, featuring designs by Caroline Teagle. Comes with a free digital download.


  • headboggle / quicksails mugen volume 6 – hausu mountain

    $7.00 Add to cart

    This is Mugen Volume 6

    Solo sessions recorded live. No overdubs.

    Released on Hausu Mountain, HAUSMO 21.


  • quicksails – mayville dreams – spectrum spools

    $19.00 Add to cart

    Ben Billington is a Chicago staple and multi-instrumentalist crucial to the metro area experimental landscape. He can morph his styles seamlessly and is fluent in many musical languages, whether he’s playing in Moonrises, Circuit De Yeux (as a touring drummer), or in the legendary underground free-jazz unit Tiger Hatchery. Mayville is the sophomore LP following his Silver Balloons in Clusters LP on Under The Spire (while originally released as a cassette on Deception Island some time ago.) With Mayville Dream, it’s all Billington and the results are outstanding. Taking from his knowledge of songcraft, Billington has crafted a well-varied album of instrumental suites that are as eclectic as they are eccentric. Being primarily trained as a drummer, various kinds of percussion appear throughout, with many rhythmic angles that accent the intricate melodies and structures to make them truly unique. The opener “The Many Roads to Mayville” opens with a concrete flutter before doing a complete 180 into a total color storm of melody and syncopated percussion. “Institute’s Innards” flips the mood right away with its deep urgency and melodies that demand introspection. Tracks like “Bemus Has Wings to Fly” and “Closer to Towanda” display an ability to thickly layer pieces and parts to make a logical whole while displaying elements of early psychedelic rock and with the knowledge of early private sides in tow. Mayville Dream has a special impact because you hear Billington stretch himself out over every playing style he knows and beyond to create something that’s all his own.