radio people

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  • radio people – fall on mars – centre tapes

    $8.00 Add to cart

    “Fall on Mars” was completed by Samuel Goldberg and Adam Miller in the Fall of 2014 in Cleveland, Ohio at his home studio. The title-track serves well as a reintroduction to the project since last year’s “Night Club” on Treasure. It begins as a slow release of scattery synthesizer bop that builds to spill out echoes of fluorescent pads and minimal sequences. From there, the tape continues to loosen up and casts off into rich zones of rhythms and field recordings. Like many Radio People releases, present are the blankets of neon sound and emotive progressions of organ and synthesizer. “Fall on Mars” points outwardly to the planets while remaining in the real and present of a Midwest autumn. The Mars One team will be reaching their destination in 2025, enjoy a preview to what fall on Mars could feel like.

  • radio people – night club – treasure records

    out of stock

    so good to hear Sam back in action, love this tape.

    It’s been a few years since Mexican Summer released Hazel, from Ohio-based synth obsessive Sam Goldberg’s Radio People project. “Night Club” is taken from a forthcoming cassette release out next month on Treasure, which hints that subtle changes are afoot. Goldberg is still immersed in rippling banks of analog splendor, but this time there’s not much else to fill out the sound, suggesting he’s purified his working method. Hazel often approached the orangey transcendence of Tangerine Dream, flushed out with warm, chimerical thoughts. “Night Club” resides somewhere colder, sharing the same kind of immersive undersea moves as Goldberg’s former Digitalis labelmate, the mysterious Jürgen Müller. At two minutes it’s over in a flash, a mere dip in the pool. But, like Müller’s Science of the Sea, there’s a depth here that seems to stretch on forever. – ptchfrk

  • radio people – hazel – mexican summer

    $14.00 Add to cart

    “Slowly drifting over the horizon, into the realms of Mexican Summer, comes Radio People. The return of Cleveland, Ohio man Sam Goldberg’s cosmic synthesizer project is cause for fanfare of the most blissful kind — his music is, after all, a beautiful, hovering behemoth worthy of celebration. Since 2007 Goldberg has become renowned for his slew of highly collectable cassettes, CDRs and VHS on such labels as the Emeralds-curated Wagon and Gneiss Things, Weird Forest, 905 Tapes, Catholic Tapes and Tusco/Embassy, while also finding the time to found his own prolific imprint Pizza Night. Radio People appeared in 2009, producing a similar cascade of material, with Digitalis Records carefully gathering a selection and committing them to vinyl a year later. Mexican Summer is proud to contribute to this legacy with his new album Hazel, a collection of dream-like soundscapes, billowing clouds of synthesizers cut with poignant razor drones, expansive sweeping melodies and suspended harmonies. When brought out of reverie, Radio People pushes ever onward with Italo and Kosmische pulses, concise percussion and sombre vocals, but when left for a while it is always happy to melt back into music for drooping eyelids and swollen hearts. Intergalactic drama at its best and most essential.” Limited, numbered edition of 750 copies. Includes download code.

  • radio people – leapt – deception island

    out of stock

    Dear reader, you’ve probably never considered the notion that there might be beaches in Cleveland (full disclosure, my erstwhile hometown actually features one of the ten worst in the nation), but Pizza Nite impressario Sam Goldberg probably isn’t letting your parochial mentality get him down. With Leapt, Goldberg, who works as a lone entity on this latest offering from his still fresh/exploratory Radio People project has delivered a suite of miniatures that go to the beach without going to the beach, if you take my meaning. Here, as in all of Sam’s myriad endeavors, including Mist (with John Elliott), Free Time (with Mark McGuire), Docile Dawn (with Zach Troxell of Fragments), Pages, and his eponymous output, the animating concept is his own idiosyncratic take on the varied/storied traditions of bedroom recording, from the mossy, rainstreaked, and heartstring-tugging microcomposer-era futurism of “Korg” to the classic four-track aesthetic of the title track.

    “Finding One’s Self” is made up of endlessly tumbling/unfurling synth riffs bisected by a gracefully hissing, atomized spray of pseudo-guitar, like a carnival swaddled in a heat-sick shimmer that rises from the pavement, or like the idea of amusement itself as a gas that someone, somewhere, who may or may not be you, is inhaling. “Leisure,” on the other hand, proceeds with the sort of spare, courtly, and slightly menacing melodic poise that recalls Jarre’s Les Granges Brulees, late La Dusseldorf, and Wendy Carlos circa A Clockwork Orange, while “The U.S,” ironically enough, is more like a weird, stretched sort of italo, replete with bleary hustle, egg-frying pwm leads, and a self-aware sort of desire left in the backyard to evaporate in the late afternoon sun. It’s a fitting conclusion to a summer that left your brain and mine too cooked for anything less lovely.

  • radio people – avalon

    out of stock

    a somewhat claustrophobic radio people release, still a steady elegant roedelius vibe that can put the listener at ease