arbor

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  • tent/city – arbor

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    $5.00 Add to cart

    arbor11
    Limited to 90 hand-numbered copies. Packaged in hand-sewn fabric pouch with button clasp.


  • outer space – arbor

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    John Elliott’s Outer Space project is a laboratory for electronic investigation. Acting as a continuance of the studies of mid 20th century electronic music composers such as Nik Pascal and Laurie Spiegel, Elliott’s music is deeply indebted to the inner workings of the electric signal. Acting almost as a meditation, through the simple gesture of translation Elliott’s process begins to reveal itself as electricity is converted into acoustic pressure and potential; the melody of physics. The six recordings on the album are each a microcosmic view into Elliott’s practice; a keystone, illuminating his solo practice as well as his work as a member of Emeralds. Composed and recorded over the past three years without the use of digital synthesizers and arpeggiation; a record closely connected to a personal path, attempting to make sense, to understand one’s journey. Mastered by Keith Fullerton Whitman; pressed in an edition of 650 copies on clear vinyl with full color gloss covers and heavy stock printed euro-style inner sleeves.
    -arbor


  • cloaked light / pale blue sky – split – arbor

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    Working together, but differently. Clear Of, shows Cloaked Light working within a new mode; an expanded temporal sensitivity through field recording and discrete static chords. Slow movement- revealing growth and decay at the subtlest thresholds; disappearing music with a heavy presence, a shifting sense of space, not in the room, but of the room. Pale Blue Sky’s Someday, Sometime approaches a similar expansion of perception and unobscuring blur. Through tape manipulation, the inner workings of tonal relationships are placed under focus; extending time to reveal new moments; widening the view. Distorting to understand; a reorienting pause. Originally conceived to coincide with the Cloaked Light / Pale Blue Sky California tour with Pedestrian Deposit, Infinite Body, Earn, and Mirror to Mirror in January 2010; a testament to a common point and it’s different trajectories. Approaching the possibility. Mastered by Pete Swanson; cut at 45 rpm. In an edition of 400 copies with glossy jackets and inner sleeves.
    -arbor


  • rale – whispering gallery – arbor

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    Following recent tape releases on Young and Ekhein, Bill Hutson’s Rale project should no longer be an elusive one. His modular synthesized low-end focus reaches new depths with each release; managing to provide a richness in texture and a deep listening experience in slow moving forms. Hutson exercises a dedicated control and mastery in composition as a result of his overwhelming knowledge of the potentials of sound. “Far off organ chords become enveloped by an atmospheric heavy air; melody isn’t shunned, but obscured. Frequencies arranged seamlessly, with a modest approach; like the growth of a grey cloud. In an edition of 400 12” EPs in proprinted cardboard sleeves with printed labels.
    -arbor


  • justin meyers – the amplitude of neighbors

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    Minneapolis’ Justin Meyers has been producing extremely discrete musique concrete for the past few years. Through field recordings Meyers achieves a double sided voyeurism; his capturing of another’s space, and the listeners glimpse into his space. His care and precision demands attention with an unconscious magnetism; on Both Sides the recording of an outdoor summer’s evening is paired with subtle beating frequencies symbiotically shifting in and out of the other, producing a deeply compelling command over space. This same phenomena is explored on A Visitor: composed with simple sine waves, infinite variations of listening interaction are possible, imposing the piece directly within the space of the listener. In an edition of 125 copies with full color cardstock covers and labeled tapes.


  • cloaked light – plain curtain – arbor

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    These early four-track experiments from Peter Friel’s Cloaked Light project offers a look into focus. With the slowest subtlety changes grow, only perceptible through reflection. A new form of seeking to understand; a non-linear music, offering a space of contemplation to look forward and behind. On A Long Green Hall Friel shifts meaning and reorients the place of speech in a Lucierian experiment with self-help tapes. On But I’m Trying, subtle tonal expansions mirror the manipulation of speech on the previous track, though without the recognizable markers of language the result is more obscured. Each track offers insight to the others processes. Recorded in Summer 2009, these tracks are some of the earliest from the project, a precursory inquiry to the tapes on Ekhein and Monorail. Upcoming split 12” EP with Pale Blue Sky further explores the nature of tonal interactions and non-linear potentials of sound. In an edition of 125 copies with full color cardstock covers and labeled tapes.


  • tusco terror – pyschedelic narcosis

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    Cleveland noiseniks, Tusco Terror, barrage the earth with their subterranean dirt worship. Having just released a split LP with Emeralds on Ecstatic Peace, this crew is ready to take their Midwestern gear slaughter beyond the realm of the breadbasket. Operating with a loose lineup usually ranging from 3-5 players all jamming in their own private zones, contributing their own part to the psychedelic nonsequitors and cosmic confusions contained within the recording. Pile upon pile of unrecognizable source contort themselves into an unrecognizable yet brutally intriguing end result. Don’t stop digging. In two editions: A( of 68 numbered copies in silkscreened, watercolored, and sewn sleeves with screened discs) and B (of 32 numbered copies in printed collage sleeves with screened discs).