edições Cn

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  • Lieven Martens – coral groups – edicoes cn

    $8.00 Add to cart

    I. Coral Groups is a live concert piece for 32 channels with an undefined duration. Various found objects, electronics, piano vignettes and field recordings are put into relation with each other in an improvised way, creating a panorama that’s both random and directional. I presented this piece between early 2013 and spring 2016, in Finland, Sweden, Japan, Mexico, United States, Italy, Germany, Denmark, United Kingdom, Belgium, among other. The excerpt here has been recorded close to the final performance of the piece, when things started to come together quite naturally. Recorded live at Gold+Beton Gallery, Köln, Germany, november 2015. II. Four Pages is a sonata. The seed of this work is a composition for piano notated on … four pages. Electronically transformed into particles in F-sharp Major, tucked between murmurous silences of a budget-friendly analog filter. Summer 2016.


  • Lieven Martens – two pastorals – edicoes cn

    $8.00 Add to cart

    A portrait of the provinces.
    Recorded in the hamlet of Teixeiró and the hills around Gestaço, north Portugal during a singeing August 2016.

    How exactly does a small group communicate … ?


  • lieven martens moana & antti tolvi – tolvi moana – edicoes cn

    $8.00 Add to cart

    Factory dubbed cassette, limited to 150 copies. Lay out by Jeroen Wille, handdrawn map by Wietske Van Gils. Risograph printing by Jelle Crama.

    Lieven Martens Moana “Estrada Do Caldeirão, A Sonata”

    To get to know the people, is to walk in their footsteps. Thus by walking Corvo Island’s only road, the Estrada Do Caldeirão, I entered the mind of her dwellers.
    Corvo Island is the smallest of the Azorean archipelago. It’s a rustic volcanic cone, housing one small settlement, the Vila Do Corvo with her 400 inhabitants, Aerodrome and several bars. The remainder of the isle is a rough patchwork of cliffs, rocks, farmland, steep slopes and a few human built walls and structures. The main and more or less only labour that is being performed on the island – thus the main raison d’être – is keeping livestock. An occupation more popular than the commercial fishing one would expect to be ever-present in a society surrounded by such rich fishing grounds.
    In former times, Corvo held about ten thousand sheep, until the local wool fell out of favour in the early 80’s. Since then, the Corvonians started herding cows for their meat and milk. Most of these bovines graze peacefully inside a giant volcanic crater, referred to as the Caldeirão, on an abundant banquet of grass and weeds. Always accompanied by a few people, minding their own businesses. The ramshackle Estrada Do Caldeirão connects this crater to Vila Do Corvo, passing through pastures and farmland, thus being the centre of daily life for most Corvonians.
    About three years ago, I tracked this road – a one-hour walk or a 10 minutes pick-up drive – by walking forth and back between the caldera and the village, only bringing with me my faithful Marantz recorder. This trip resulted in a few hours of sound recordings. Over the past summer, I edited out five movements from the raw material and structured these like a sonata. I slightly altered these movements with simple phasing and panning, energizing the composition.
    Here’s to Corvo’s only road, a solitary story of expectations aligned by firm cemented certainties. Here’s to the people of Corvo.

    Antti Tolvi “Piha, Metsä Ja Iso Mäki – Garden, Forest And Big Hill, Imagined Field Recordings”

    The idea for these pieces came up when I heard Lieven’s side – early version – for this split cassette. The idea was to make music which is the same as, and also totally different from Lieven’s side. I decided to make different set ups with my analog synths, and let them play themselves. Then do field recordings out of those. Well, because I was there, I couldn’t stop my self to turn knobs a bit. I’m sorry about that.
    In performing music, music should come through playing like a river or something. Just pure playing, no thinking, analyzing or anything. Just playing. In Tao and Zen traditions the main idea is to do things without doing. Let it just happen without forcing. Let the nature do the work. In field recording I feel that there´s lot´s of this involved. You make music, but you kind of not do it. You just let it happen. Find it. This has interested me a lot. Forget notes, forget instrument, forget everything. Just do it. Let it happen. To do this you need some kind of balance.
    When you find/feel balance, our inner world match 100% with the outer world. This is natural state of being. The problem comes when we start to try/hope too much, try to stop never ending change of things and so on. As the outer world change constantly, we should let our inner world do the same. Let go. Here we need ultimate flexibility. Listening is one part to connect these two. Letting outer to become inner. By acting (playing for example) we make the inner world part of outer world. When these worlds match, we feel a balance. We are in the field. We are the field.
    ps. During mastering these pieces, our cat Silli showed up huge attention to this music..
    credits
    released December 15, 2015

    Composed in Kiila – Finland, and Antwerp – Belgium, 2015.
    Map drawing by Wietske Van Gils.
    Lay Out by Jeroen Wille.
    Risograph printing by Jelle Crama.



  • dolphins into the future / lieven martens moana – songs of gold incandescent – edicoes CN

    $24.00 Add to cart

    Fourth Expanded Edition On Vinyl, 170 copies
    Mastered by Christophe Albertijn. Offset printed covers. Lay Out by Jeroen Wille and Anna Papanastasiou.

    Recorded in Antwerp and on location, 2010–2014. Songs Of Gold are nine small portraits. Five tracks that where featured on the cassette versions PLUS four extra tracks for this vinyl version. Culled from compilations, limited run cassette releases, choreographies, and 7” singles. Some pieces were worked on for a length of time, others materialized in just about one take. All the songs are derived by an encounter with an object, a place or a person. Or by a combination of these. The events are translated into the work through the intermediary of symbolic sounds and notes. There is no thematic link between the compositions.


  • dolphins into the future – pā’ua – edicoes cn

    out of stock

    Edition of 37 hand cut records. Comes with a double sided full color Screenprint.

    Includes unlimited streaming of “Pā’ua” via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.


  • dolphins into the future – ke ala ke kua – edicoes cn

    out of stock

    Limited Edition Cassette (Fifth Edition)
    Cassette
    Pro-dubbed cassettes. Risograph artwork.


  • dolphins into the future- os canais – edicoes cn

    out of stock

    Artist / Tour Edition. Limited to 50 copies
    Cassette
    original issue on sic sic tapes


  • dolphins into the future – lieven martens moana – songs of gold, incandescent – edicoes cn

    out of stock

    2nd edition_ Different artwork

    growing collection of Dedication Symphonies.
    The proceedings start at the edge of the continent, and ending in the Gecko’s compass.

    Um Tratado … is a field recording, made in the boiling waters of a Fumarole. Being a composition as performed by the Mid Atlantic Ridge. Sweeten The Mango is a tonal story, as a response to the eponymous text by H-K Trask. Grotella exhales simple movements, explained by instruments.

    Album Info:

    Songs Of Gold, Incandescent (2010 – 2014)

    I. Ilha Da Culatra (for Wietske Van Gils, 2010)
    While standing at the continent’s edge.
    II. Um Tratado Sobre A Agua Quente
    (Short Version, for Floris Vanhoof, 2011)
    Recorded in the boiling waters of a fumarola.
    III. Sweeten The Mango
    (Instrumental Version, for Haunani-Kay Trask, 2012)
    With moonlight.
    IV. Grotella
    (Excerpts from a Hula, for Siet Raeymaekers, 2013)
    Pencilling the lines of Grotella.
    V. Mo’o (for Francesco Cavaliere, 2014)
    Eyeing the compass of an insect.

    This cassette depicts not an album, yet pure fragments.

    Recorded at CN Studios, Antwerp and São João.
    By Lieven Martens Moana / Dolphins Into The Future.
    Field recordings from Algarve, Ilha Do Pico, Ilha Do São Miguel, Ilha Das Flores, and Hawai’i.
    Photography by Wietske Van Gils and Lieven Martens Moana.
    ECN Logo by Jeroen Wille.
    March 2014


  • Lieven Martens Moana – the bells from above – edicoes CN

    $26.00 Add to cart

    One time only edition of 25 hand cut flexi discs. Comes with a double sided Riso print including related photography and text.
    “Aloiafi” is a series of limited run lathe cuts, flexi discs and cassettes. This is Part One of the series.

    “The Bells From Above” is a cyclic poem in three parts.
    “Magma”, where the voices mime wayward lines and movements of the unsettling thrusts in the magma chamber.
    “The Eruption”, a transitive and ascending sound, increasing its vigor, bursting into an ecstatic silence.
    The expiration, “Alle Menschen Werden Steinen”, where the birds and frogs sing the drums. And where the lava’s path embraces emblems of pahoehoe.

    In the Divehi language, lava means “a song”.


  • various – complementary music 2010 – 2013 – edições Cn

    out of stock

    A triple cassette box. Including a ten page booklet w/ pictures, drawings and texts by Ada Van Hoorebeke.

    Three cassettes w/ music created by Hanna Giese (Moemlin), Eva Van Deuren (Orphan Fairytale), Wietske Van Gils (Huur Is Duur), Francesco Cavaliere (Sea Urchin), Lieven Martens Moana (Dolphins Into The Future).
    These pieces where created as being the aural counterpoints for installations by Ada Van Hoorebeke. Both “The Shop Floor” and the a-side of “Batik Toilet”, are direct recordings of the sound loops present at the eponymous installations. The b-side of “Batik Toilet” as well as “Spirits And Landscapes” are composed collages of elements from sound fragments of the original installations.
    credits
    released 30 October 2013