ekhein

Showing 1–10 of 19 results

  • greg davis – schumann resonances – ekhein

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    the Schumann resonances (SR) are a set of spectrum peaks in the extremely low frequency (ELF) portion of the Earth’s electromagnetic field spectrum. Schumann resonances are global electromagnetic resonances excited by lightning discharges in the cavity formed by the Earth’s surface and the ionosphere”.
    Waves of incredibly low frequencies rising and falling in very specific patterns, dissolving the listeners outside abilities to simply hearing and literally feeling the sounds. Demanding to be listened to through speakers, headphones, or both at the same time.


  • earn – performance – ekhein

    out of stock

    used, recommended
    Two full length live recordings. Ranging from an earlier, more long-form set in Chicago 2009 to a more recent set of several pieces recorded this previous fall in St. Louis.


  • protein den – Cml – ekhein

    out of stock

    used
    gordon ashworth & matthew sullivan
    Recorded via mail summer 2007.


  • earn – their simple nature – ekhein

    out of stock

    Two songs concerning the hypnosis of ones surroundings. Guitar, obscured piano and tape. Crawling out of the void on hands and knees only to be confronted with more obstacles once again in the real world. Some of the most melodic recordings to date.
    Limited to 75 copies.
    -ekhein


  • driphouse – airlocks and pallet jacks – ekhein

    out of stock

    “Six songs landing somewhere between sparse, yet melodic “Library Music” moments collapsing into cold, industrial, wasteland tensions. New York’s Daren Ho is definitely coming into his own as of late with a unique sound far outside the current gaggle of electronic nostalgia.”
    -ekhein


  • compass rose – the plough horse – ekhein

    out of stock

    “Something far stranger. Debut release by Welsh duo The Compass Rose. Odd “musical” collage and speech contributed by Jack Gilbert (Baronic Wall, Paul Ballance, DVE). Songs about the end of humans, whole wheat and David Bowie’s awful carpet. Hypnotic, confusing and terrifying. A huge combination of various elements, ideas and time unleashed on this release that certainly doesn”t belong anywhere I’ve ever been before.”
    -ekhein


  • m. geddes gengras – choices – ekhein LAST series

    out of stock

    TWO PIECES OF FRANTIC MODULAR SYNTHESIS BY LOS ANGELES’ M. GEDDES GENGRAS. ON HIS SECOND RELEASE FOR EKHEIN, GENGRAS TAKES THE POSSIBILITIES OF CHAOS AND UNPREDICTABILITY WITHIN HIS GROWING MODULAR SET UP TO THE NEXT LOGICAL SPACE. AVOIDING THE CLICHES OF PRESENT DAY SYNTHESIZER BASED MUSIC AND FOCUSING ON MORE ABSTRACT TEXTURES AND APPROACHES IN PACING AND THE LISTENERS ENDURANCE FOR SOUNDS PRESENTED.


  • earn – performance II – ekhein LAST series

    out of stock

    Folks always announce “EAST COAST TOUR” and it means a handful of dates travelling from philly to new york and maybe boston. weak.

    thankfully there’s folks like matt/EARN out there grinding the road down into oblivion, blisteringly long runs across the US. Deeep zoned out white line blurring drives across the us. When Matt comes through asheville which has thankfully many times, u can tell he’s starting to lose it a little to the road, fried & harried from eating and sleeping in too many random places. But then he sits down to play and completely locks it in. letting loose an amazing set that has the whole room hummin

    Probably best if you go ahead and turn this disc up as loud as you can. recommended.



    THE SECOND “PERFORMANCE” RELEASE DOCUMENTS A SET AT THE BCA CENTER IN BURLINGTON, VERMONT DURING THE US TOUR WITH MIRROR TO MIRROR IN NOVEMBER OF 2011. PERFORMING USING ONLY LIVE CASSETTE PLAYBACK AND MANIPULATION OF GUITAR RECORDINGS AS THE SOUND SOURCE. THIS RELEASE CAPTURES A MORE SUBTLE, AMBIENT SIDE IN A NUMBER OF SHORTER PIECES WITH A FINALE OF HEAVILY LAYERED WAVES OF LOOPS USING THE 4 TRACK RECORDER AS AN INSTRUMENT, WITH DETAIL PAID TOWARDS THE MIXING OF SOUND AND THE SPEED OF THE CASSETTE AS A TOOL FOR EXPANDING MELODIES. RECORDED BY OLIVER MITCHELL, MASTERED BY M. GEDDES GENGRAS, AND PHOTOS BY GREG DAVIS.