Showing 1–10 of 12 results
$7.00 Add to cart
Thick-walled percussion, layered fiddles, cascading flutes and melodious harmoniums conjure a hazed fog of ecstasy. This is party music from a timeless past thrown towards a future transcen-dance.
Clear printed cassette with printed transparent vinyl case-sticker
Edition of 50
$7.00 Add to cart
Classic-styled electronica and deep-within technoid stomp from antipodean hardware botherer, Rory McPike (Dan White). Seven cuts of plaintive synth, astral shimmer and toned percussion to give ya brain a dance.
Fluorescent blue printed cassette with printed transparent vinyl case-sticker
Edition of 50
$7.00 Add to cart
The sound of night-tripping future-world primates refashioning Homo sapien dance tropes from a beach-dug CDR of AFX and Spencer Clark. Ollie Tutty (Komodo Haunts) goes deep-theta in the tropical beat zone and leaves the future behind.
Fluorescent purple printed cassette with printed transparent vinyl case-sticker
Edition of 50
$8.00 Add to cart
Bayou bliss and lizard lounge beatwork from Sean McDonald (Heat Sureens, Mmm Sound) and Jason Gottfried – humid hummers to wind back the years.
Instrumentation: Jason Gottfried
Effects, sound collage: Sean McDonald
Pro-duplicated CDR with body print in colour-printed cardboard sleeve
Edition of 50
$8.00 Add to cart
Ex Geo transmits back from a pilgrimage to Mecha Mountain. Scrambled bot reflections on cyber transcendence and dreams of forever – the fall of the machines.
Pro-duplicated CDR with body print in colour-printed cardboard sleeve
Edition of 50
$8.00 Add to cart
Domestic sound grabs ft. things about the house from ‘im indoors.
Surprise attack in track 3.
Louis Johnstone spreads it clean, sparse and personal – blend it with your own.
From that man:
‘I DO NOT NEED TO EXPLAIN THIS RECORD
I WILL, THOUGH
WHERE I LIVE
WE HAVE A PIANO
WE MEANING MORE THAN ONE PERSON
IT IS NOT MY PIANO
HENRY BEING ME
OBVIOUSLY MY NAME IS NOT HENRY
IT IS
THIS PIANO WAS IN THE HOUSE WHEN I ARRIVED
I BEING ME
HENRY
ETC
THE PIANO WAS IN A ROOM BEHIND THE KITCHEN
INFRONT OF THE KITCHEN
IT DEPENDS HOW YOU LOOK AT THINGS
WE WILL GO WITH ‘BEHIND’
THIS PIANO WAS IN A ROOM BEHIND THE KITCHEN
WE
MEANING MORE THAN ONE PERSON
WE HAD THIS ROOM WITH A PIANO
A CAT BOX
A CAT BOX IS WHERE THE CATS SHOULD PISS AND SHIT
SHOULD BEING WHAT WE HUMANS WANT THEM TO DO
THESE CATS DO
THE ROOM HAD FOUR WALLS AROUND IT
THIS RECORD WAS MADE USING THIS ONE ROOM
ONE ROOM AND THE PIANO
THIS ROOM BEHIND THE KITCHEN
OR INFRONT
ETC
HAS NOW HAD A WALL REMOVED
THE PIANO WAS CAPTURED IN A FOUR WALL STATE
I GUESS MEANING A DIFFERENT ECHO OR VIBRATION
THE WALL HAS BEEN REMOVED
IT IS NOW AN OPEN ROOM
THE HALLWAY IS NOW PART OF THE ROOM
A THREE WALL ROOM
THE KITCHEN STILL INFRONT
OR BEHIND
ETC
I GUESS BASICALLY
THIS PIANO WILL NEVER SOUND THE SAME AGAIN
OR THE ROOM
ETC
THIS RECORD CAPTURES THIS
HENRY CARAVAN
MAYBE’
Pro-duplicated CDR with body print in colour-printed cardboard sleeve
Edition of 50
$16.00 Add to cart
HOLOVR comes clean and correct with this follow-up to his LP on Opal Tapes. Emerging into a fresh, crisp orbit from the murk of the planetary core, Line of Flight sees HOLOVR embrace a new palette of winding acid drift. Melodic synth lines unfold, snake and repeat, underpinned by pattering percussion and buffeting, wistfully euphoric pads. Long-form and layered with subtle shifts and hypnotic grooves, this is one for the space trippers and trancefloors.
Recorded live to two tracks.
Yellow 12″ vinyl LP with PVC sleeve and 4-colour Riso insert image by Jennifer Crouch, printed by Ditto Press.
Edition of 220
First release from this project by Tim Matts (Seagrave/Violent Signs). Micro detail with macro scope and pose, claustro clicks, cuts and scrapes rub up against propulsive kicks and uncanny tonal phrases. One for the decon/recon set.
‘Blood Room emerged whilst Tim was living and working on his Ph.D in the US, Berlin and Denmark. Beginning life as a loop-based musique concrete and plunderphonic project, early Blood Room drew heavily on film audio, which was reprocessed in line with an interest in domestic or ‘restaurant horror’. Whilst remaining tongue-in-cheek, Blood Room was and remains an extension of Tim’s interest in the relationship between habits, symptoms and repetition. Whilst the project still retains a shlock horror component, it has moved towards the beat-driven techno sound Tim has developed in his IXTAB project with Gary James Geiler.’
Baby pink printed cassette and printed transparent vinyl case-sticker
Edition of 50
Vancouver’s Precipitation (Zefan Sramek) presents his debut tape release, a collection of wistful, analogue synth-and-drum-machine suites that will get in your head and stay there (I awoke at 3am with one of these ear worms). Crisp 606 percussion carries gently shifting and lilting synth lines, interspersed with sampled vocal snippets and patient break-downs – get hooked in the ebb and flow.
Pale blue printed cassette and printed transparent vinyl case-sticker
Edition of 50
The debut release from this project by American Michael DeMaio (aka WOMB, TWIN FACILITY) is a sophisticated affair, combining muscular, rugged techno rhythms, 808 grooves and prickly industrialism with Gassed-out ambient haze, pensive drone and isolationist field recordings. It’s an epic journey deep into a matt-black locale, but with a glowing light guiding throughout. One to watch, this guy.
Military grey, printed cassette with transparent vinyl case-sticker.
Edition of 50