low point

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  • ben fleury-steiner – the places that find you – low point

    $18.00 Add to cart

    “First impressions pull closer, strings and fizzles fall, carrying you, reaching further and ending up in an all-new place. Time is simple and less than a moment, with the lasting habit of a worn-out keepsake but nonetheless you are still immediately there again, inside those open arms and a world you have always dreamed of.

    In homage to minimalism and imagination, ‘The Places That Find You’ by Ben Fleury-Steiner embodies an ultimate trance, the ability to connect directly with the listener and the truth behind the feeling of music from the heart. Far away but incredibly close, the five tracks forming this album never return to the ordinary but move, invert and grow, through time-lapse expressions and faded visions.

    Some listeners want to be transported to other places through music, whilst others hear the technical artistry and find inspiration to delve deeper into the creative process. Without any direction and by simply following your own natural instincts, ‘The Places That Find You’ is a guide that places you instantly, allowing each listener to find more, not only through the music but from inside themselves.” Will Long, September 2011

    Ben Fleury-Steiner is a Delaware-based composer, published author and owner of the Gears Of Sand label. Drawing upon his deep love of minimalism and influenced by the work of Mirror, Jonathan Coleclough and Tim Hecker, ‘The Places That Find You ‘ was recorded over a two year period between 2009 to 2011.

    The recording process made use of a mixture of instrumentation, including the use of the kalimba (the traditional name for a thumb piano) and the various sounds produced when played in the manner of a prepared guitar, coupled with more modern electronic instruments including effects pedals and synths.


  • alex cobb & aquarelle – split – low point

    $17.00 Add to cart

    “Artists sharing a split record are akin to being roommates, with their share of common spaces yet separate headquarters. Such an undertaking tends to bring about elements of juxtaposition, contrast and union. This Low Point release from Alex Cobb & Aquarelle encompasses these and many more in a seamless fashion, breathing an ease of cohabitation throughout.

    One side of the vinyl LP picks up where the other left off and there is a manifest impression of torch-bearing with a common decisiveness within these pieces. Their work may be seen not in opposition, but rather as an alternative to the otherwise microwaved and unimaginative drones steadily filling up the modern musical landscape.

    Gracing upon themes of immanence, embodiment and metamorphosis, it embarks the listener into deeply immersive sonic territory. The shades and nuances are undeniably subtle but also rich and vast, which makes entering the dwelling of these artists both a mystifying, yet coherent experience all at once.” Samuel Landry, September 2011

    Alex Cobb (who previously recorded under the Taiga Remains moniker) has released material alongside Low Point’s curator Gareth Hardwick in 2008 as well as on his own label, Students of Decay. He is at the steering wheel for what he depicts as ‘a one man musical operation that deals mainly with the creation of intricate sound environments that seduce the listener through layer upon layer of sound.’ With appearances on labels including Root Strata, Callow God & Arbor as well as collaborations with the likes of Valerio Cosi and Jeff Witscher, Alex Cobb is not one to sit on his laurels and much can be expected in the coming years from this extremely fruitful artist.

    Aquarelle is sound artist and curator of the Rest + Noise label Ryan Potts, originally from Wisconsin and currently a resident of Toronto, Canada. Alongside his latest album ‘Sung in Broken Symmetry’ released by Students of Decay in August, this year promises to be bountiful one for an artist who has so far shown parsimony and restraint with his however potent outings. Ryan’s inclusion in the Low Point roster seems for all purposes organic and most welcome, it will surely bring attention to a project of unmistakable depth and lushness.