cassette

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  • mushigo palm – gross egg – olivine freight tapes

    $5.00 Add to cart

    High-bias cassette with full color, double-sided insert and sticker. Edition of 50.
    Andy Loebs and Devin LeCroy


  • mew gull – sentry void – olivine freight tapes

    $5.00 Add to cart

    High-bias cassette with full color, double-sided insert and sticker. Edition of 50.
    Devin LeCroy and Andrew Bauman


  • jon collins – sky writings – early music

    out of stock

    C31 audio cassette. Full colour sleeve with insert. Originally released on Winebox Press in 2008 as catalogue number winebox01. New catalogue number EM101.


  • Lieven Martens – coral groups – edicoes cn

    $8.00 Add to cart

    I. Coral Groups is a live concert piece for 32 channels with an undefined duration. Various found objects, electronics, piano vignettes and field recordings are put into relation with each other in an improvised way, creating a panorama that’s both random and directional. I presented this piece between early 2013 and spring 2016, in Finland, Sweden, Japan, Mexico, United States, Italy, Germany, Denmark, United Kingdom, Belgium, among other. The excerpt here has been recorded close to the final performance of the piece, when things started to come together quite naturally. Recorded live at Gold+Beton Gallery, Köln, Germany, november 2015. II. Four Pages is a sonata. The seed of this work is a composition for piano notated on … four pages. Electronically transformed into particles in F-sharp Major, tucked between murmurous silences of a budget-friendly analog filter. Summer 2016.


  • Lieven Martens – two pastorals – edicoes cn

    $8.00 Add to cart

    A portrait of the provinces.
    Recorded in the hamlet of Teixeiró and the hills around Gestaço, north Portugal during a singeing August 2016.

    How exactly does a small group communicate … ?


  • james ferraro – human story

    out of stock

    a musing on hyper individualism and
    the marketability of neotenous plastics

    We’ve seen the invention of the latte, yoga, cloud computing, we’ve seen our selves in a plethora of unnatural places and commercial simulacra, crisis and human achievement in perpetual twilight. where will the 21st century human story go next?

    Premise of Human Story 3

    Human Story 3 in its essence is a dialectic on the discord between technological advancement ,human folly and human progress. folly characterized by assessing the loss that occurs in the way technology is being integrated and applied to our lives. progress, in that technological aid on a 21st century scale is arguably humankind’s greatest intellectual achievement. From the back drop of such grand technological achievement spawn forth the distinctive qualities that make the hyper individualistic age. Visible in developments in marketing of products and its emphasis on the individual,advances in consumerism and market values, the smartphone as a marker of the fortified empire of individualism, and from which birthed more inconspicuous signs such as the selfie, a crude and seemingly benign tech age behavior,nothing more than a symptom of the age.

    however one could speculate that it might be one of many rudimentary tale-tale signs of the coming technological singularity taking shape. I wanted this work to consider the state of humanity as we set forth towards this age of cognizant machines and automation. In that light for me our behavior seems to be illuminated more clearly. humanities inability to live up to machines programmed to reflect human virtue.

    in contrast to cognitive machines that store all of human ability in its most practical and virtuous form, human beings seem riddled un-virtuous with folly.and it makes me wonder if the dispossession of human achievement,that seems to be occurring in our present day will be restored via our successors artificial super intelligence and perhaps this is the human story

    Human Story 3 actualizes this dilemma scenario placing humans at the crossroad of technological innovation and human dispossession in musical commentary.
    a smart society of thinking machines, this scenario would show the limits of human nature while at the same time exhibit the infinite possibilities of human intellectual potential, wouldn’t it be a great tragedy if
    that same human intellectual spirit that brought us thus far, from the stone age to industrial age to possible future automation age became paradoxically the double edged sword of our dispossession from ourselves?

    it is my hope that Human Story 3 weaves this dialectic for the listener.
    it isn’t a treaty calling on the abandonment of our tech revolution, however it is a motivation to apply our technological tools in a way that services the higher purpose of human beings, a service to what is commonly embraced as human achievement.
    Human Story 3 is at one hand in praise of the human journey and our intellectual triumphs while on the other hand presenting elements of a requiem, a musical exposition of human folly in the light of the everything hyper individual age.


  • Пурпурный Дядя – raccord – self released

    $4.00 Add to cart

    released January 12, 2017
    28 cassettes with 28 different handmade covers


  • ssaliva – mercury coast – not not fun

    $8.00 Add to cart

    Belgian shapeshifter Francois Boulanger has traversed several spheres of liquid electronics and mutated beat music across his half-decade of activity as Ssaliva, but in the winter of 2010 he holed up in an old historic house in the town where he grew up, Chaudfontaine, with a partially broken Tascam 4-track to pursue a different muse, on a different wavelength: “The place was super cold. Everything was recorded straight to tape. I was bored using a laptop so these tracks were a reaction to that, I guess.” The 22 grainy guitar instrumentals comprising Mercury Coast slide through a fractured prism of moods, reveries, daydreams, and deliriums, from paranoid surf (“Borys,” “Health”) to opiate lullaby (“Cloud Gap,” “Hyperreal,” “Weav”) to smeared haze (“School Rave,” “Trave”) and beyond. There’s a naked, intuitive feel to the songs, like sketches born from smoke and sleeplessness, tracked at strange hours. The frayed fidelity further enhances the album’s aura of cloaked emotion, altered states, and raw truth. Shortly after the sessions Boulanger and two Brussels associates, Dynoo and Nosedrip, launched a label (Surf Kill) to release the recordings but for unremembered reasons nothing materialized. NNF is honored to finally share this overlooked outlier to a wider world. Artwork and design by Dieter Durinck. Mastered by Alter Echo.


  • wave temples – isle enchanted – not not fun

    $8.00 Add to cart

    Floridian fantasy island ethnographer Wave Temples is responsible for a unique flow of opaque tropical hallucinations since 2013, issued via a variety of noted tape boutiques. His latest, Isle Enchanted, maps a mirage coastline of salt haze, cerulean water, and smeared, siren keys. Both sides were tracked across three summer days, inspired by notions of Polynesian paradise and the Māori underworld. Blank blue waves swell and ebb, tones float and fade, textures phase and decay – Isolation Exotica, for castaways abandoned on utopian shores. As personal and poetic an encapsulation of palm tree minimalism as any we’ve heard since …On Sea-Faring Isolation (2009). The more hidden the temple the more sacred the space: “This place to me is what it must have been like to discover the island of Capri or Malta uninhabited since beyond ancient days.” Recorded live at Hawaiki, June 20-22, 2016. Images sourced by WT. Design by Britt Brown. Mastered by Alter Echo.


  • ekolali – igor – not not fun

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    Malmö multi-instrumentalist Mattias Lagerkvist spent time in short-lived neo-Harmonia trio Cosmic Letters (alongside Martin Herterich of Sand Circles) but since 2012 his primary focus has been swirling, long-form tape delay odysseys issued under the name Ekolali. Previous releases have explored minimalist solarium drone (Vår Värld I Fossil, via Skeppet’s Kosmisk Vag imprint) and tropical kraut psychedelia (Tropisk Hägring) but Igor is his first inspired by, and centered on, guitar. A single 40-minute piece, the track flowers from ghostly electric haze into a glowing wormhole of looped hand-drums, phasing textures, and Space Echo-soaked riff abstractions, before receding to blank, haunted gauze for a full five minutes, only to gradually return for a final swooping arc of percussive kosmische freefall. In scope, depth, and functional hypnosis, the recording stands apart and above his prior creations, hinting at unknown pleasures in future days. The title “comes from the name me and my girlfriend gave a limping hooded crow; he lived in the parks of central Malmö, and we spent last summer feeding him.” Artwork designed by Britt Brown. Mastered by Alex Nagle.