lp

Showing 241–250 of 490 results

  • caboladies – live anywhere – aguirre records

    $15.00 Add to cart

    On the 15th of Januari 2010 performers Chris – Flower Man – Bush & Eric Lanham recorded this LP live on air. The A Side is the take off side. Electronic chaos & control at the same time. While the B Side offers up some more distorted alienating sounds. Hearing is believing. Comes With Insert. Released in an edition of 330 Lps.


  • tiago sousa – walden pond’s monk – immune recordings

    $14.00 Add to cart

    Walden Pond’s Monk is the brand new album from Portuguese musician and composer Tiago Sousa. Walden Pond’s Monk is a piece that was composed and heavily influenced by the idealism and revolutionary spirit of Henry David Thoreau. The album is a natural evolution of the aesthetics already present in the previous album Insónia, while at the same time it reveals the maturity of a composer who consistently challenges himself. On this album, Tiago Sousa maintains the same intuitive and spontaneous approach to the piano and remains convincingly impermeable to the normative formalisms of genre and academism. With Ricardo Ribeiro (clarinet) and Baltazar Molina (percussion), Sousa builds a piece in a continuous momentum, anchored on impressionist melodies of disarming simplicity and interrupted by a stormy improvisation. During the thirty two minutes of Walden Pond’s Monk, Tiago Sousa nourishes a romantic narrative based upon the essential ideas that Thoreau documented in works like Walden or Civil Disobedience: the profound respect for freedom and for the infinite expression of the possibilities of men.


  • sick llama – born again to die – hanson

    $14.00 Add to cart

    ‘There are a lot of mugz you don’t wanna know,: VD doctors, the Grim Reaper, the inside of a Fed Ex body bag, ex-mates, cops, silence, dentists, republicans, country music stars, …list goes on and on….THEN= there are mugz you just want to get some sunshine from- you know who they are= just plain rad mugz, stokerz= and i gotta say….the Michigan Crew has Sick Llama’z BACK…..Heath AKA Juice AKA Fag Heath AKA Morellama= is just a ball of huge eyeballing goodness..how can you be mad at him? We used to have heavy skate shred sessions with the goofball and he would destroy the streetz, and still be smiling at the end, never breaking a sweat. You want this dude on your team. And you want the soundtrack to your boiling brain to be his Born Again to Die. Its got this amazing kinda arms-up-in-air-i-give-up-what-is -this-godamnn -sound style beaming through it. Heath man….dude aint really gonna give any clues back….cant count how many timez the crew has cornered the mug and been like: ‘Yo man….what the hell is going on inside ‘Live Birth’ ?’ Did you just record cars under an overpass and slow it down?
    -hanson


  • spectre folk – compass, blanket, lantern, mojo – arbitrary signs

    $14.00 Add to cart

    Recorded Summer 2009 by Spectre Folk at the Homemade Casino in Greenpoint. 
    All tunes by Pete Nolan
    Pete sings and plays Art and Lutherie acoustic, 2008 American Les Paul, drums, Juno 12, tapes etc. 
    Violet shakes and Julie Tomlinson Nolan sings backup on Burning Bridge. Violet howls at the end of Ages.
    Violet Ray Nolan was there lending howls and vibes at every step.
    -arbitrary signs


  • piotr kurek – heat – black sweat records

    out of stock

    Piotr Kurek – born in 1978 in Poland – is a musician, composer and enthusiast collector of instruments and vintage studio equipment. He is the author of numerous pieces for theatre and contemporary dance performances. In the late 1990s he was the co-founder of the electronic group Slepcy and since then he’s been releasing music for various record labels and has participated in international theatre and music festivals.Piotr Kurek’s “Heat” was originally released in December 2011 as a limited edition cassette by Digitalis LTD. Sold out shortly after the original release date. Most of the sounds in “Heat” originate from various exotic records, from documentary movies or archives, or were recorded in studio using vintage organs, electric piano and synthesizers. Starting from an original idea of creating a specific music concrete album deeply rooted in archival nature, “Heat” emerged as a rich organ-infused tropicalia where everything was blurred in greenish-brown and sultry air. The Black Sweat Records reissue is a 200 copies edition, pressed on tobacco paper. Inside there is a link to download the digital edition of the album.


  • hassaniya music from the western sahara and mauritania – sublime frequencies

    out of stock

    In 2006, Hisham Mayet returned to West Africa to continue his search for an unknown musician he had heard six months earlier on the radio in a Morocco hotel room. Knowing only that it was Sahrawi music — music of the south — he headed down through the vast and remote desert landscape of the Western Sahara and Mauritania in hopes of finding someone who could identify these revelatory recordings. The story of how he finally found this elusive artist is the stuff of ethnomusicological legend. But he also found much, much more as he wandered from Laâyoune, Western Sahara, to Mauritania’s capital city of Nouakchott. From intimate, sinuous home recordings by Group Marwani, to a sublimely devastating track by the enigmatic Abdul Rahman Al-Gheid, to the inimitable tidinit artistry of Sadoum Ouled Aida, the performers on this album exemplify the haunting and intoxicating qualities of Sahrawi music. Featuring Mayet’s first recordings of the electrifying Group Doueh, as well as dizzying field recordings from Nouakchott’s Marché Capitale — where relentless traffic noise swirls together with fragments of melody from countless cassette vendors’ PA speakers — Hassānīya Music from the Western Sahara and Mauritania is the evocative soundtrack to a chimerical journey that is also documented visually in Sublime Frequencies’ breathtaking film Palace of the Winds (SF 047DVD). It not only traces Mayet’s own passage through these barren and beautiful lands, but also charts the evolution of Sahrawi music from sung poetry accompanied by traditional acoustic instruments to electrifying modern grooves drenched in reverb and phase effects. Limited edition pressing with Stoughton tip-on full-color gatefold jacket.


  • tropic of cancer – restless idylls – blackest ever black

    out of stock

    Restless Idylls is the first full-length album from Tropic Of Cancer, the solo project of Los Angeles-based Camella Lobo. Lobo debuted in 2009 with The Dull Age/Victims, a 10″ single on Downwards and the first of three collaborations with Juan Mendez (Silent Servant). Two years later came a second Downwards release (“Be Brave,” remixed by Cabaret Voltaire’s Richard H. Kirk), followed soon after by The Sorrow of Two Blooms on Blackest Ever Black — the label’s third release and one if its most cherished. Since then there have been 12″ releases on Mannequin, Sleeperhold Publications, Ghostly International (a Part Time Punks Sessions live split with HTRK) and a limited edition compilation, The End of All Things, compiling singles and unreleased recordings. Restless Idylls marks TOC’s return to BEB and consists of eight new recordings written in Los Angeles, with additional production from Karl O’Connor (Regis) in New York and London. Its themes? The usual: romance, devotion, pain and helplessness. Mixed up mortals struggling against the brute mechanics of fate, and proving unequal to the task. A forced retreat into private, precious idylls of longing, faith, mystery, even misery. The urgent motorik of lead single “More Alone” is perhaps a misleading foretaste of the full-length, which is more lush, languid and extravagantly despondent than previous TOC material. Troubled hymns from an empty room, in a drowned world. A sensual and sepulchral psychedelia. Cover art by Silent Editions.


  • william winant – five american percussion pieces – poon village

    out of stock

    The percussionist William Winant’s first-ever artist release, this is the first of a vinyl-only two volume series of contemporary classical solo percussion music. Features works by all American composers: Lou Harrison, Michael Byron, Alvin Curran, and James Tenney. Recorded from 1976 through 2013. Limited edition — 350 copies available for sale for the whole world. Pressed on 200 gram vinyl. Gallery edition-style packaging, in hand-crafted 10 plate screen printed jackets with mitred-corner wood spines.

    “When Mr. William Winant first came over to visit Kim Gordon and myself at her parents’ house in West Los Angeles sometime in the mid-1980s, I half expected another droll, affected muso from the Oingo Boingo camp that Kim had associated with in the mid-1970s before she hightailed it to NYC with the artist Mike Kelley to not only dive into the mysterious world of post-conceptual minimalism, but to ride reckless amongst the no wave music scene of downtown Manhattan — which is pretty much where we two met and began dating. Willie came as a surprise. He basically talked a mile a minute about anything/anyone but continually drummed his fingers on the table top, creating and exercising rhythm patterns which, to some, may have been hyper-annoying, but to me were seriously obsessed brain-to-hand compositions. I knew right away this guy was no pretendo Hollywood ring-grabber but a completely engaged lover of experimental structure and aesthetic magiks inherent in the history of percussion discussion. His history was weird, coming out of an L.A. family of television production where commercial success was how many $$ were made by dog food ads and gravitating towards the margins of creativity informed by the philosophical enlightenments of John Cage, Lou Harrison and Iannis Xenakis, all composers he had worked with. When I visited him shortly thereafter at his pad in Oakland CA, near where he taught at Mills College, he showed me scores written and inscribed to him by Xenakis! This was his world, an academic outrider zone I had mythologized as a street rat musicologist and record collector. He was very curious about who was doing what in the experimental rock ‘n’ roll world and I introduced him to Tom Surgal, a drummer from the Elvin Jones meets Milford Graves school of NYC free-thought drumming. We established a trio and played some amazing gigs in the early 1990s, releasing our first live document on the Victo label from Victoriaville, Canada (Piece for Jetsun Dolma, 1996). Winant’s wild nature and finely-honed sense of percussive dynamism landed him neat work with John Zorn, Cecil Taylor, Anthony Braxton and the Faith No More outlier band Mr. Bungle. When we went to hear WW play with John Cage in Central Park, Willie had shaved his head into a Mohawk and wore some sick death core t-shirt. Cage must’ve known Willie was a man of humor, honesty and integrity — as well as understanding the intention of the composer and delivering the goods. I always wanted him to record solo music through these years but he always would claim he wasn’t ready. Is he ready now? He is seriously beyond ready and thankfully Poon Village, the only label with enough poon-power to engage this master sticksman, has come through. Big time.”

    –Thurston Moore, Poznań, Poland, August 2013