Minneapolis’ Justin Meyers has been producing extremely discrete musique concrete for the past few years. Through field recordings Meyers achieves a double sided voyeurism; his capturing of another’s space, and the listeners glimpse into his space. His care and precision demands attention with an unconscious magnetism; on Both Sides the recording of an outdoor summer’s evening is paired with subtle beating frequencies symbiotically shifting in and out of the other, producing a deeply compelling command over space. This same phenomena is explored on A Visitor: composed with simple sine waves, infinite variations of listening interaction are possible, imposing the piece directly within the space of the listener. In an edition of 125 copies with full color cardstock covers and labeled tapes.